Marble Inlay Work In Agra- Inlaid Marble Work
Agra has discovered its say in the celebrated Hindu epic Mahabharat as the woodland of Agraban near Mathura. Badal Singh established the city in 1475. Sikandar Lodhi made Agra his capital city. Afterward, Babur vanquished the Lodhis to catch the city arranged on the banks of River Yamuna and in this manner, the long relationship of Mughals with Agra began. The Mughal love of design converted into excellent landmarks, for example, Taj Mahal, Agra Fort, Fatehpur Sikri and Sikandra. The eminence of Agra was at its top amid the rule of Akbar, Jehangir and Shah Jahan. Akbar made it the focal point of workmanship, culture, business and learning and Shah Jahan saw it in full blossom. Truth be told, it is said that it was Akbar who established the framework of the current city that we see now in 1558 and was known as Akbarabad. A larg
e portion of the structures have a place with the period between mid-
sixteenth century and seventeenth century and were of high caliber. These landmarks were worked in the contemporary Mughal style. Mughlai food and the talented experts can even now be found in the thin paths of the city as a reminiscent of the lost circumstances.
What is Marble Inlay Work In Agra?
“Marble Inlay work” is a standout amongst the most alluring workmanship that done from marble. Same kind of that embellishes the Taj Mahal and other Mughal landmarks.
It is a firmly secured customary craftsmanship and just a couple of master types are accessible today. The sensitive procedure includes cutting and etching marble shapes physically. To begin with, a predefined design e.g., botanical outline or geometrical plan is engraved on the marble section. Little bits of marble of various shades are sliced carefully to fit in these scores unequivocally. These little pieces are then slipped in the furrows. Aside from marble, numerous different materials can likewise be utilized.
History of Inlay Art:
Decorate deal with fragile valuable stone started in the workshops of Florence in Italy around the finish of the sixteenth century. This was known as PIETRA DURA.(Pietra= Stone, Dura= Hard) The Italians had made a great imaginative frame and held a restraining infrastructure over it. From 1630 onwards pietra dura showed up on moveable, little protests as enlivening boards, with winged animal and blossom themes, reasonable for bureau fronts and table tops. Some of these soon came to the Mughals as presents.
Of all the Mughal Emperors, Shah Jahan was the best benefactor of engineering in India. For him no measure of cash or time was excessively to make persisting, everlasting building magnificence and through it be recollected dependably. It is in his structures that one feels most constrained to make the association between Mughal craftsmanship and pietra dura. The Taj Mahal, the cenotaphs of the Emperor and his better half, the principle floor and the encompassing marble railings bear close similarities to the pietra dura shape.